Exploding Whales (Also, I Wrote a Book)

Exploding Whales (Also, I Wrote a Book)

My head hurts. My carpal tunnels hurt. My blood is mostly coffee sludge. I've become a master of doctoring up Top Ramen. I know the shame that is ordering pizza from a place three blocks away because I can't be bothered to stand up because this sentence is connecting with that one and this with this one and oh my god I'm actually writing, there are words coming out and they make sense and I actually think I have something here and wow I'm going to win the pulitzer and.

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Journalism, Writing and Working Bill Lascher Journalism, Writing and Working Bill Lascher

The Best Freelancing Advice I've Seen

If you're just starting out as a freelance writer -- hell, if you're well-established as a freelancer -- I strongly urge you to read this piece by Scott Carney, a Colorado-based investigative journalist and anthropologist. In the piece Carney suggests freelancers abandon the long-held practice of "silo" pitching, wherein writers pitch articles to one outlet at a time and rather take their publications out to multiple editors simultaneously.

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Writing and Working, Tinyletter Bill Lascher Writing and Working, Tinyletter Bill Lascher

Allowing Sufficient Time

Around the corner from my house, inside the streetside window of a fancy spa, a slogan painted on an interior wall reads "Allow sufficient time." As the spa's clients emerge from their massages and saunas and wraps, the sign reminds them not to rush back into the world. It also reminds passersby like me not to rush through the world. I'm still trying to learn that lesson.

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A (Not So) Tiny Letter

I've been reading a lot of letters. It seems all I do these days is read letters.

But here's a letter for you. I wish I could send it to you on the onion-skin I so often find myself reading, the translucent sheets etched with the black ink of a an old Hermes's or Corona Portable's hammer-strikes, the sheet carefully folded into an envelope covered with bright stamps and decorated with a picture of a DC-3 and bold capitals reading "VIA AIR MAIL." 

Of course, I can't, but I still want to say hello, because it's been a while (probably) and I miss you (certainly) and connecting beyond the superficial digital zones where we encounter one another. You may know where I've been, but perhaps something will settle on this screen. Letters, whatever their substrate, allow thoughts to steep better than ever-flowing streams of information we feel we must address and process now. Right now. Always now.

So feel free to read this and whatever letters follow at your leisure.

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Notes From The Starting Line
Melville Jacoby, Writing and Working Bill Lascher Melville Jacoby, Writing and Working Bill Lascher

Notes From The Starting Line

Today brings a bloom of beginnings from a tangle of endings. Perhaps that's not surprising. I suppose beginnings and endings all occupy coterminous space. And as I write, I'm struck by how my own beginnings and my own endings weave around one another and, often, between two places — Los Angeles and Portland.

But I'm writing today to recognize one simple beginning: the redesigned, relaunched version of my website*, upon which, presumably, you're reading these words. I do so hoping to re-introduce the world to my own background as a writer and journalist and as a storyteller, and to re-pique your curiosity about Melville Jacoby, whose adventures, romance and experiences as a journalist in World War II-era China and the Philippines will be the subject of a forthcoming book.

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Writing and Working Bill Lascher Writing and Working Bill Lascher

Journalism of the Unknown Unknowns

It's complicated ... and that's the point. Journalism doesn't have all the answers, and we shouldn't expect it to. We shouldn't expect our stories to solve things for us.

Journalists' primary role is not to answer the challenges that face our society: it's to bring light to those challenges, so that those with the proper tools to solve a given problem will know that the challenge exists. In a sense, we're brokers, we're middle-men, we're matchmakers between problems and solutions. But those problems and solutions still have to get to know one another, find the right match. We can't consummate their relationships, we can just help them find one another.

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A life, a career, a world repurposed

When I applied to USC more than a year ago I wrote about how the shifting environment is fast becoming a global story, possibly the only global story, a point similar to one recently argued by Bill McKibben and other journalists. Back in the Spring of 2008 I argued that whether one accepts climate change as a preventable human crisis, or disagrees that it is a threat (or is caused by human activity), the mere discussion of the environment has global and local implications. If a shipping company invests in more efficient cargo jets because it expects to save money by stretching its fuel spending or does so because it perceives a public relations boost, that company is making a decision with tremendous impact on the environment. At a more local level, the city resident who uses a combination of bikes and mass transit to get to work because she realizes the reduction in her carbon footprint, or because she just cannot afford to purchase a car, will affect the environment either way. There is a difference in scale, but the outcome of either decision will impact many beyond the company and the young woman, altering the experiences and decisions of those additional parties.

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Writing and Working Bill Lascher Writing and Working Bill Lascher

Cooking Up Frustration

I understand – trust me I understand and kinda don't want to discuss – that the publishing world is rapidly changing. Even if it weren't, it takes time and patience to get something published. But I wonder about the rules of the game. With information spreading so rapidly how am I supposed to do this, to wait patiently on a story that is constantly evolving? Even if things go well with this story, how do we publish, how do we write or report anything? How do we set boundaries? Do we just say “that's the story” even as it continues to change? Do we just cut convenient slices of ever-lengthening timelines out?

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Writing and Working Bill Lascher Writing and Working Bill Lascher

Lucky Day

This is our moment to choose. We can choose to live life as we have, to return to the way things have been, to struggle and claw against time, or we can choose to live differently, to stop fighting the current and instead, to be carried along, to let the world unfold before us. We are where we are, and we will be where we will be. Shouldn't we accept that? Or is that easy for me to say, not facing the worst of these times?

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